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The Annunciation
Painting ID:: 51695
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James Tissot
The Annunciation
nn09
c.1886-96
Watercolor and gouache on paper
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Hagar and the Angel in the Desert
Painting ID:: 51762
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James Tissot
Hagar and the Angel in the Desert
nn09
c.1896-1900
Watercolor on paper
23.8x15.3cm
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THe Staircase
Painting ID:: 51799
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James Tissot
THe Staircase
mk221
1869
Oil on wood
55.9x38.1cm
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The Newspaper
Painting ID:: 54090
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James Tissot
The Newspaper
mk235
1883
Oil on canvas
63x50cm
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Berthe
Painting ID:: 54091
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James Tissot
Berthe
mk235
1883
Oil on canvas
73x59cm
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James Tissot
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French Painter, 1836-1902
French painter, printmaker and enamellist. He grew up in a port, an experience reflected in his later paintings set on board ship. He moved to Paris c. 1856 and became a pupil of Louis Lamothe and Hippolyte Flandrin. He made his Salon d?but in 1859 and continued to exhibit there successfully until he went to London in 1871. His early paintings exemplify Romantic obsessions with the Middle Ages, while works such as the Meeting of Faust and Marguerite (exh. Salon 1861; Paris. Mus. d'Orsay) and Marguerite at the Ramparts (1861; untraced, see Wentworth, 1984, pl. 8) show the influence of the Belgian painter Baron Henri Leys. In the mid-1860s Tissot abandoned these tendencies in favour of contemporary subjects, sometimes with a humorous intent, as in Two Sisters (exh. Salon 1864; Paris, Louvre) and Beating the Retreat in the Tuileries Gardens (exh. Salon 1868; priv. col., see Wentworth, 1984, pl. 45). The painting Young Ladies Looking at Japanese Objects (exh. Salon 1869; priv. col., see Wentworth, 1984, pl. 59) testifies to his interest in things Oriental, and Picnic (exh. Salon 1869; priv. col., see 1984 exh. cat., fig. 27), in which he delved into the period of the Directoire, is perhaps influenced by the Goncourt brothers. Tissot re-created the atmosphere of the 1790s by dressing his characters in historical costume. |
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Related Artists::.
| Jan van Haensbergen | Prout, Samuel | Amaury-Duval, Eugene-Emmanuel | |
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